DEATH:
1809 DANLOUX |
BIRTH:
1591 VALENTIN |
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Died on 03 January 1809: Henri-Pierre
Danloux, French artist born on 24 February 1753. Orphaned at an early age, Henri-Pierre Danloux was raised by his uncle, an architect. Around 1770 he studied under a genre painter and a history painter. He followed one of them to Rome in 1775 and then traveled throughout Italy. Unlike most of his contemporaries, Danloux preferred drawing the Roman countryside and portraits instead of ancient monuments. Settling in Lyon, France, in 1783, Danloux established himself as a portraitist in the relaxed, informal manner of Jean-Baptiste-Siméon Chardin. After moving to Paris in 1785, Danloux's reputation grew as a portraitist to the aristocracy. Danloux paid great attention to rendering fabrics, embroidery, and accessories in both oils and chalk. After another sojourn in Rome, Danloux returned to Paris in 1789, where he was commissioned to make portraits of the royal family. Soon the French Revolution forced him to flee to London. Influenced by fashionable English portrait painters like George Romney, Danloux excelled in family groups and portraits of children, whom he captured in natural, spontaneous poses. He also began painting history subjects. He returned to Paris in 1801 and spent his remaining years frustrated by his failure to establish himself as a history painter. LINKS Mademoiselle Rosalie Duthé (1792) [Ne pas confondre voir Duthé et boire du thé, bien qu'on puisse deviner que ce que servait à boire au peintre la demoiselle Duthé était du thé. (bien con?)] |
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Born on 03 January 1591:
Moïse Jean Valentin de Boulogne ,
French painter who died on 20 August 1632. Moïse Valentin (also called Le Valentin and Valentin de Boulogne), French Caravaggesque painter active in Rome from about 1612. His life is obscure; the name 'Moise' (the French form of Moses) by which he was called was not his Christian name (which is unknown) but a corruption of the Italian form of 'monsieur'. He did, however, have one major public commission: The Martyrdom of SS. Processus and Martinian (1629), painted for St Peter's as a pendant to Poussin's Martyrdom of St. Erasmus. About fifty works are attributed to him. They vary in subject - religious, mythological, and genre scenes and portraits - but the same models often seem to reappear in them, and all his work is marked by an impressively solemn, at times melancholic, dignity. He was one of the finest of Caravaggio's followers and one of the most dedicated, still painting in his style when it had gone out of fashion. Baglione says that he died after taking a cold bath in a fountain following a drinking bout; his death was much lamented in the artistic community. LINKS The Martyrdom of St. Bartholomew The Judgment of Solomon (1625, 176x210 cm) |