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ART “4” “2”-DAY  20 February
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BIRTHS: 1844 MUNKACSY — 1808 DAUMIER
1909: LE MANIFESTE FUTURISTE
^ Born on 20 February 1844: Mihály Munkácsy von Lieb, Hungarian Realist painter who died on 01 May 1900.
— Munkácsy was an outstanding Hungarian realist painter of the 19th century. He started to paint during the years he spent in Arad as a joiner. With the help of patrons he studied at the Viennese, Munich and Düsseldorf academies. Munkácsy painted his first major work, the outstanding The Condemned Cell in Düsseldorf in 1872, then together with his friend László Paál, he moved to Paris, where be lived until the end of his life. Munkácsy painted his genres in the style of realism between 1873 and 1875: Midnight Ramblers, Farewell, Churning Woman, Woman Carrying Brushwood, and Pawnshop were the zenith of his career. He married the widow of Baron de Marches in 1874, and his style changed from that time on. Departing from the typical subjects of realism, be produced colorful salon paintings and still-lifes. This was the period when be also turned to landscape painting; his growing interest is marked by such great paintings as Dusty Road. Corn Field, and Walking in the Woods. The assimilation of László Paál's style is apparent in the landscapes painted during the 1880s, such as Avenue and Colpach Park. His realist portraits — e.g. of Franz Liszt and Cardinal Haynald — were also born at about this time, together with his religious paintings, such as Christ before Pilate, Golgotha and later, Ecce homo. Towards the end of his career he painted two monumental works: Hungarian Conquest for the House of Parliament and a fresco entitled Apotheosis of Renaissance, for the ceiling of the Kunsthistorisches Museum in Vienna.
LINKS
Yawning Apprentice (Ásító inas) (1869) — Woman Churning (Köpülő asszony) (1873) — Woman Carrying Faggots (Rőzsehordó nő) (1873) — The Pawnbroker's Shop (Zálogház) (1874) — Dusty Road I (Poros út I) (1874) — Portrait of László Paál (Paál László portréja) (1877) — Portrait of Cardinal Lajos Haynald (Haynald Lajos arcképe) (1884) — Ecce Homo (1896) — Baby's Visitors
^ Born on 20 February 1808: Honoré-Victorin Daumier, (birth date sometimes given as 26 Feb)
— Born in Marseilles France, Daumier would become a prolific caricaturist, painter, and sculptor, especially renowned for his cartoons and drawings satirizing 19th-century French politics and society. His paintings, though hardly known during his lifetime, helped introduce techniques of Impressionism into modern art.    ^top^
Louis-Philippe Gargantua      In his lifetime he was known chiefly as a political and social satirist, but since his death recognition of his qualities as a painter has grown. In 1830, after learning the still fairly new process of lithography, he began to contribute political cartoons to the anti-government weekly Caricature. He was an ardent Republican and was sentenced to six months' imprisonment in 1832 for his attacks on Louis-Philippe, whom he represented as `Gargantua swallowing bags of gold extorted from the people' [<<<]. On the suppression of political satire in 1835 he began to work for Charivari and turned to satire of social life, but at the time of the 1848 revolution he returned to political subjects. He is said to have made more than 4000 lithographs, wishing each time that the one he had just made could be his last. In the last years of his life he was almost blind and was saved from destitution by Corot. He died on 11 February 1879.
Daumier - Take a look at a group of images by French illustrator Honoré Daumier. Includes links to other artists. Daumier - Fine Arts Museums of San Francisco - Find a comprehensive and impressive directory of 538 images created by the French artist known for his caricatures of the bourgeoisie (reproductions zoomable to huge oversize). Daumier (1808-1879) - Over a hundred prints by the French artist from the University of Montana Museum of Fine Arts. Daumier - Artcyclopedia - Directory of links to museums, galleries, image archives and Web sites devoted to the 19th French caricaturist. Daumier - Australian National University - View a survey of enlargeable prints which showcase the caricaturist's sharp and satirical pen with respect to situations and facial expressions. Daumier - Boston College - View Jeffery Howe's photos of two sculptures, each a bust of a legislator, that show the artist's satirical style was not limited to lithographs. Daumier - Encyclopedia.com - Read a brief biography of the social satirist who made his name by caricaturing bourgeois society. Includes links to premium resources. Daumier - J. Paul Getty Museum - Profile of the French satirical artist is accompanied by an image of a watercolor called "A Criminal Case." Daumier - La Caricature, 1832 - View the satirical drawing of King Louis-Philipe for which the artist was sentenced to serve six months in prison at Ste-Pelagie. With details. Daumier - MSN Encarta - Encarta offers an article about the caricaturist and painter. Follow selected links to view examples of Daumier's work. Daumier - Musee d'Orsay - Profile of the artist famous for his lampooning lithographs focuses on his technique for modeling caricatures in clay. View an image of a bust. Daumier - National Gallery of Art - Link to an extensive biography of the satirical French artist, including a bibliography, as well as images of paintings and numerous drawings. Daumier - Norton Simon Museum - Painting titled "Mountebanks Resting" includes text about the point in the artist's career in which he switched from caricatures to oils. Daumier - SILS Art Image Browser - Select from 16 images by the satirical French artist to enlarge for viewing. Daumier - UM Missoula, Museum of Fine Arts - Directory for the print collection offers links to more than 100 lithographs by the French artist. Daumier - University of Brighton, UK - Course in narrative art presents the caricaturist's perspective on politics, among other societal ills. Includes his captions. Daumier - University of California, Berkeley - Press release about an exhibition of 50 lithographs by the French satirical printmaker offers a biography and a description of the prints. Daumier - WebMuseum, Paris - Depicts an overview of French caricaturist, painter and sculptor Honore Daumier. Take a peek at his paintings and illustrations here.

Died on a 20 February:

1942 Louis Soutter, Swiss artist born on 04 June 1871.
1916 Léon-François Comerre, French artist born on 10 October 1850. [Disait-on de ses oeuvres que c'était des comerrages?]
1909 Paul-Elie Ranson, French Nabi painter born in 1864. — LINKS
1900 William Holbrook Beard, US painter specialized in Animals, born on 13 April 1823. — [When he was born, his mother had a Beard.] — LINKSSelf-Portrait in the Studio (1866) — Phantom Crane (1891) — The Runaway Match (1877) — The Lost Ballon (1882, 121x86cm) — Owls (1851, 39x55cm) — The Bear Dance (41x62") _ This romantic fantasy depicts bears — symbolic of speculators who expect a drop in share prices — celebrating a market crash. It was most probably painted earlier than The Bulls and Bears in the MarketThe Bulls and Bears in the Market _ The setting for this picture is Broad Street, New York City, looking north, in front of the New York Stock Exchange which appears at the left; the columned Sub Treasury Building at the corner of Wall and Nassau Streets appears in the distance.
1715 Nicolas Walraven van Haeften (or Haften), Dutch artist born in 1663.

Born on a 20 February:

1910 Julian Trevelyan, British artist who died in 1988. — LINKS
1889 Maurice Barraud, Swiss artist who died in 1954 or 1955.
1888 Anthony Thieme, Dutch US painter who died in 1954. — LINKSSt. Augustine Yacht Club
1863 Lucien Pissarro, French painter who died in 1944, son of Camille Pissarro. — LINKS
1856 Eduardo León y Garrido, Spanish artist who died in 1906 or 1949 (!!!)
1828 Karl Ferdinand Charles Wimar, US artist who died on 28 November 1862 — LINKSOn the Prairie
1781 Étienne-Jean Delécluze, French artist who died on 12 July 1863.
1759 Martin von Molitor, Austrian artist who died on 16 April 1812.

Happened on a 20 February:

1953 El cuadro de Goya de Dama con abanico, vendido en Londres por 1400 libras esterlinas. — GOYA LINKS

^ 1909: Le Manifeste Futuriste.        ^top^
     Le Figaro publie le manifeste suivant, composé par l'écrivain Filippo Tommaso Marinetti. Ce manifeste est considéré comme étant le texte fondateur du mouvement futuriste.

1. Nous voulons chanter l'amour du danger, l'habitude de l'énergie et de la témérité.
2. Les éléments essentiels de notre poésie seront le courage, l'audace, et la révolte.
3. La littérature ayant jusqu'ici magnifié l'immobilité pensive, l'extase et le sommeil, nous voulons exalter le mouvement agressif, l'insomnie fiévreuse, le pas gymnastique, le saut périlleux, la gifle et le coup de poing.
4. Nous déclarons que la splendeur du monde s'est enrichie d'une beauté nouvelle: la beauté de la vitesse. Une automobile de course avec son coffre orné de gros tuyaux tels des serpents ŕ l'haleine explosive... une automobile rugissante, qui a l'air de courir sur de la mitraille, est plus belle que la Victoire de Samothrace.
5. Nous voulons chanter l'homme qui tient le volant dont la tige idéale traverse la terre, lancée elle-męme sur le circuit de son orbite... C'est en Italie que nous lançons ce manifeste de violence culbutante et incendiaire, par lequel nous fondons aujourd'hui le Futurisme parce que nous voulons délivrer l'Italie de sa gangrčne d'archéologues, de cicérones et d'antiquaires...
F. T. Marinetti

MARINETTI LINKS
1872 El Metropolitan Museum of Art es inaugurado en Nueva York.

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